Travel Photography – part 3

Ok – so you’ve seen a potential subject, overcome the hurdle of approaching them for permission and they’re happy to pose for you. Now what ?

Well, the most important thing is not to hesitate, to work quickly and not to start fiddling about with camera settings, lenses or rummaging around in your kit bag for a flash unit etc. If you do, you’ll probably find that you’ll start to make your subject feel self-concious – especially if a crowd has gathered to watch your photo shoot. When you allow this to happen, then a subject tends to start ‘adopting’ poses and that natural expression that made you want to take their photo in the first place will be lost. In the very worst case scenario your subject may even decide that you’re wasting their time and move on.

So, before even approaching a potential subject to ask for permission consider how you’re going to take the photo and think not only about the composition of the image but also:

Lighting - is the subject in bright sunshine which is casting harsh shadows across their face and making them squint? Or are they in deep shadow? Are you going to want to ask them to move ?

Camera Settings
– What ISO are you going to use? Which aperture? What shutter speed will be needed? Which lens? Will you need to use a touch of fill-in flash to lift the face and add a bit of sparkle to your subject’s eyes?

Background:
Think about the background. Avoid those that are very ‘busy’ and distracting to the viewer whose attention should be on the subject. Look for plain backgrounds with muted colours. Be aware of ‘distractions’ like bins, cars, lamp-posts, advertising hoardings etc.

Orientation – We’re used to seeing the world from ‘right-to-left’ and ‘left-to-right’ but taking a photo like this may result in distracting objects appearing at the edges of the frame. By turning your camera 90 degrees so that you see things ‘top-to-bottom’ means that a lot of potentially distracting stuff can be left out from a photo and ensure that the attention is firmly on the subject.

Hopefully by this stage, you should now have a great photo to share with friends and family back home but remember to thank your subject and show them the image on the back of the camera. That’s a real advantage of digital cameras over film cameras and the ability to show people their photo instantly often leads to further photo opportunities as friends and family are called over to look at your work. You may be asked for a copy of the image and it’s important to bear in mind that photography isn’t as accessible to some as it is to others and as a result many people around the world don’t have photos of themselves or their family. So if you promise to send a copy – then please ensure that you do. Remember however that although it may be fun collecting names and addresses whilst you’re on your travels – it can be a lot of work printing copies of photos when you get home and sending them to faraway lands.

Next Week: Part 4 – Portraits

As it’s Valentine’s Day ….

… here’s the top ten reasons to date a photographer
1) They work well in the dark
2) They’re used to funny smells
3) They make things develop
4) They work well on many settings
5) They know how to focus
6) They can make big things look small and small things look big
7) They work well from many different angles
8 ) They zoom in and out. And in and out and in and out and in and out…
9) They shoot in many different locations
10) They can find the beauty in anything

Travel Photography – part 2

The subject of paying for photos comes up all too regularly when it comes to taking people’s photographs and to be honest I find there’s no right or wrong way to address it.

Personally, I feel it’s just a case of relying on your own values as to whether or not to ‘cough up’. For example, if someone has stopped what they’re doing to enable me to take a photo – a street trader, entertainer, shop owner etc – and can’t make a living while they’re co-operating with me, then I feel a small amount of money in appreciation is appropriate.

I give donations to holy men and sadhus on the sub-continent, and many churches and museums also ask for a donation in return for photos. I don’t give money to children and I don’t take pictures of beggars. What ever approach you decide to use, it’s generally accepted that you shouldn’t offer money if it hasn’t been requested. You’ll find on your travels that many people are quite happy to pose for photos for you and use the opportunity to find out about you, your journey, your home, your family etc. An offer of money in this case has the potential to cause offence because it may look as though you’re not interested in meeting people and would prefer to just pay to collect photographs instead.

If you feel that a photo fee is too much however, and I’ve been quoted upwards of $10 a photo before now, don’t feel under any pressure to accept. Paying high fees today means other travellers will also have to pay too much in future. This will eventually result in many potentially great photo opportunites being passed-up by photographers who are not willing to pay over-the-odds for an image. Just like your potential subject has the right to refuse your approach for a photo – you’re also entitled to politely decline their fee and walk on, and there’ll be many more potential subjects all around you as you do so.

A good tip when looking for people to photograph is to keep coins and small denomination notes handy – you won’t find any subjects carrying a money float and able, or willing,  to provide change if all you have on you is a $50 bill !

However, probably the most important thing to remember when it comes to paying for photos is to agree on a price beforehand. Many times you’ll ask if you can take a photo of someone and hear the reply “$1 !”. But does this mean $1 per photo .. or $1 for the session ? Take 4/5 frames and you may find yourself confronted by a soon-to be disappointed subject expecting their payment and then having the challenge of explaining the misunderstanding in a foreign language. Save yourself the drama – agree on the price before pressing the shutter !

Next Week: Part 3 – Taking the shot !

Travel Photography

Apologies for the absence of blogs over the last week but I was busy preparing for my presentation about travel photography at Destinations – The Holiday & Travel Show 2012 at Earls Court, London on Friday. I’ve received plenty of good feedback and following on from that I thought I’d share the talk with you here as a series.

Photography is one of the most accessible art forms we have and the cost of cameras needed to take a great photo has never been lower. However, the popularity of photography as a way of recording the things we see can’t just be attributed to cost and accessibility, nor is it anything new.
50,000 years ago, cavemen would paint drawings on the walls of caves of the places they’d visited, the people they’d met and the animals they’d hunted on their travels. Travel photographers are of a similar breed. Indeed, like the cavemen I also lack the way with words to be able to describe the places I’ve been and use the camera to hopefully convey to others a sense of what it’s like in the places I’ve had the good fortune to visit. I’m 100% self taught and so I’ve made mistakes along the way, but I like to believe that I’ve learnt from them. The aim of this series is to therefore share some of the lessons I’ve learnt so that you can hopefully apply them to your own photography.

People Photography - Part 1 – Asking for permission
Travellers, tourists and photographers tend to find this the most difficult aspect of travel photography. They feel shy about approaching people for a picture, guilty if the subject is living in poverty, worried that their request may be misunderstood and self-concious about asking a complete stranger for co-operation when it’s highly likely that they’ll never meet again. The result therefore is that many photographers allow potential subjects to pass them by or hide behind zoom lenses shooting from a distance – ending up with photos in which people aren’t engaging with the camera in any way. Worse still, ‘subjects’ could be staring down the lens with an obvious look of resentment on their faces – and this isn’t the kind of image we’re going to feel proud about showing when we get home ! Bearing all this in mind, and the fact that you’d still need to be fairly close – even with a 200mm lens to fill the frame with your subject, you may as well be open about what you’re doing.

This means asking for permission and this will lead to your subject engaging with the lens, being more co-operative, more willing and generally helping to provide a stronger set of images.
The most important thing about asking for permission is to be confident as this instills confidence in your subject and makes them feel more at ease. Be aware of any cultural differences that may cause people to decline your request. For example, in Asia it is believed that by taking someone’s photo, you’re taking part of their soul. In Australia, Aboriginals believe that they shouldn’t look at photos of dead relatives and so this may also result in them declining your approach. However, on the sub-continent, a slight shake of the head and a smile doesn’t neccessarily mean ‘no’ !
When approaching for permission, I tend to just smile and hold up my camera. That tends to help most potential subjects understand my request and also gives you an opportunity to gauge their personality based on their reaction. By all means, learn the local phrase for “Please may I take your photo?” – but bear in mind that you may have to repeat yourself half-a-dozen times to be understood !!
I know it’s difficult but if you can, try to spend some time with your subject. I’ll be honest, with the time constraints I have on assignments, I’m often forced to employ the ‘get in get out’ fast approach to taking someone’s photo. However if you’re able to spend time building up a rapport then you’re more likely to have a more co-operative and willing subject to work with. One way you can do this however, if you’re in a taxi or rickshaw for example, is to strike up a conversation with the driver along the route. Then at the end of the journey, ask if you can take a photo – it’s very unlikely that you’ll be refused. Another opportunity would be with a shop owner to whom you’ve just given a sale.
There are any number of reasons why people may not want their photo taken and no photograph – however memorable – is justified if it’s come at the expense of someone’s rights and wishes. So accept any refusal with good grace and walk on – there’ll be many more potential subjects all around as you do so.

Next Week: Part 2 – Paying for photos

Japan Images

Andy Whitehead PhotographyWith next week’s presentation at the Destinations Show coming up, I’ve been looking through my travel photography for inspiration and came across one of my favourite places to visit – Japan. The world’s most advanced technological civilisation Andy Whitehead Photographyand a bastion of traditional Asian culture; ancient temples and furturistic cities; lightning-fast Shinkansen and mist-shrouded hills; kimono-clad geisha and suited & booted businessmen; feudal castles and pulsating neon urban jungles. Utterly foreign and incredibly Andy Whitehead Photographywelcoming – can’t wait to go back !

For more images – click here

Destinations – The Holiday & Travel Show 2012

Just to let everyone know that I’ll be delivering a presentation about travel photography at  Destinations – The Holiday & Travel Show 2012 at Earls Court, London on Friday 3rd Feb at 4pm.

‘As a photographer, travelling to foreign and faraway places has always offered Andy inspiration and renewed creative energy. There are countless subjects to photograph – people, landscapes, sacred buildings, cities, markets, festivals, wildlife etc and Andy embraces the challenge of producing consistently good images in very inconsistent conditions. However, as he lacks ‘the way with words’ to describe such experiences to people back home, photography is the perfect medium for him to be able to convey to others a sense of what it’s like ‘to be there’.

This talk outlines the techniques and approaches Andy uses to capture strong individual images that build on each other to create a comprehensive coverage of a destination.

Topics to be covered include:
- Techniques to help you make the most of your skills with popular travel subjects
- Advice on photo etiquette
- Avoiding common photography mistakes
- Advice on equipment

For more information go to:http://www.destinationsshow.com/london/andy-whitehead-travel-photographer/

Bravado – Rush Tribute Act

To kick off my new blog I thought I’d share with you a few photos from a recent photo shoot I did for Bravado – The UK’s number one tribute to Rush. Great fun, great venue and a great band ! Many thanks to Pod, Paul & Dean from Bravado and the staff at the Moses Gate in Bolton.

More pictures from the gig can be seen at:http://www.facebook.com/AndyWhiteheadPhotographyLtd?sk=wall

Bravado – A Tribute to Rush: http://www.pearsonmusic.co.uk/bravweb/index.htm

Moses Gate: http://www.mosesgate.co.uk/

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